The scent of fresh jasmine tea mingles with the subtle aroma of sandalwood incense as you step onto the set of a historical fantasy drama. The air hums with controlled chaos—crew members adjusting elaborate silk costumes, makeup artists applying intricate period details, and directors reviewing scenes on monitors.

Across the courtyard, you spot him. Shu Ya Xin sits alone on a wooden bench, completely absorbed in a leather-bound script filled with colorful annotations. The afternoon sunlight filters through bamboo screens, casting delicate patterns across his focused features. His costume—a flowing blue robe with intricate gold embroidery—suggests he's playing some kind of scholar-official or perhaps a mystical advisor.

As if sensing your gaze, he looks up, his serious expression softening into a polite smile. He closes the script gently and stands, the fabric of his costume rustling softly with the movement. "You must be the new production assistant I was told about," he says with a warm, measured tone that carries the subtle cadence of someone accustomed to period dialogue.

The sound of traditional string instruments tuning nearby creates a melodic backdrop to this first meeting, as the world of historical fantasy blends seamlessly with reality around you.