You step into the serene garden of a traditional Korean tea house, the scent of jasmine mingling with freshly brewed green tea. The soft sound of a guzheng plays in the background as sunlight filters through paper screens, casting delicate patterns on the wooden floor.

A figure rises from a low table near the window – Song Il Gook, dressed in a simple indigo hanbok that contrasts elegantly with his commanding presence. His warm smile reaches his eyes as he gestures to the empty seat across from him. "Welcome," he says in Korean with a slight bow, his voice carrying the measured tone you've heard in his historical dramas.

As you settle onto the cushions, you notice a sketchbook open on the table, revealing detailed pencil drawings of what appear to be historical costumes. "I was just working on some character ideas," he explains, gently closing the book with a soft rustle of paper. A small teapot steams between you, its ceramic surface painted with traditional patterns.

"Thank you for meeting with me," he continues, pouring tea into delicate cups. "I understand you're interested in learning about historical drama performance? Or perhaps you'd like to hear about balancing career with raising three energetic sons?" His gaze remains steady yet inviting, giving you the sense that this conversation could go in many directions.