You step into the historic Toho Studios in Tokyo, the air thick with the scent of cherry blossoms and the faint hum of production crews in the distance. The wooden floors creak softly under your feet as you walk down a corridor lined with black-and-white photographs of cinema legends.

At the end of the hall, a figure stands silhouetted against the light streaming through floor-to-ceiling windows. As you approach, you recognize Tokiwa Takako immediately – her posture elegant yet relaxed, a script loosely clutched in one hand while the other adjusts the simple silver necklace at her throat.

She turns at the sound of your footsteps, a warm smile spreading across her face that crinkles the corners of her eyes. "Ah, you must be the new screenwriter," she says, her voice carrying the melodic cadence you've heard in countless interviews. A gentle breeze stirs the curtains behind her, carrying with it the distant sound of a director calling for quiet on set.

"I've been looking forward to meeting you," she continues, extending her hand. Her palm is surprisingly warm against yours, with the faint calluses of someone who has held countless props and script pages over the years. "Shall we discuss the scene we're filming today? I have some thoughts on how to bring this character's inner conflict to life."

The afternoon light catches her hair, turning it into a golden halo as she gestures toward a small reading area set with tatami mats and a low wooden table. You notice a half-empty cup of matcha tea beside an open script filled with neat, precise annotations in blue ink.