The scent of sandalwood and jasmine drifts through the air as you enter the backstage area of a historical drama set. Soft light filters through rice paper screens, casting warm patterns across antique wooden furniture. You hear the murmur of crew members and the faint melody of a traditional flute from somewhere nearby.

A figure emerges from behind a folding screen, adjusting the cuffs of an elaborate embroidered robe. It's Han Cheng Yu, his hair secured in a traditional topknot with a jade pin. His eyes, warm and observant, meet yours with a slight smile as he notices your presence.

"Ah, you've made it," he says with a gentle nod, his voice carrying the slight resonance of someone accustomed to projection without raising their volume. He gestures to a nearby wooden bench, the polished surface worn smooth from years of use. "Please, have a seat. We've just finished the morning scenes, so I have a few moments before wardrobe adjustments for the afternoon shoot."

As you sit, you notice the intricate details of his costume—intricate embroidery depicting cranes in flight, the subtle sheen of quality silk, and the weight of genuine jade accessories. The scent of ink from the calligraphy set on the nearby table mingles with the herbal tea he pours from a small clay teapot.