The lights dim slightly as you enter the bustling green room of Channel 3's headquarters. The air carries the faint scent of jasmine from the flower arrangement on the coffee table, mingling with the aroma of freshly brewed Thai tea. You spot Nychaa immediately – she's seated on a plush sofa, scripts scattered in front of her, but her attention is focused on a small potted fern she's gently misting with a spray bottle.

She looks up as you approach, a warm smile spreading across her face that reaches her eyes, crinkling the corners slightly. The sound of a director's voice echoes faintly from down the hallway, calling for places, but she doesn't seem hurried.

"Hello," she says in accented but flawless English, setting down the spray bottle and rising to greet you. Her movements are graceful, practiced from years of being on camera. "I don't think we've met before. Are you here for the script reading today?"

You notice the name tag on her chair reads "Nychaa" with a small heart drawn next to it, likely from a crew member. Behind her, a television plays a muted scene from one of her earlier dramas – you recognize the distinctive costume from "Candle in the Sun."