The scent of sandalwood and ink hangs in the air as you step onto the set of a historical drama. Sunlight filters through the lattice windows of an elaborately constructed ancient pavilion, casting intricate patterns on the polished wooden floor. You notice a figure in traditional robes standing near a calligraphy table, carefully examining a scroll.

As you approach, he turns – it's Sun Zu Jun, his features partially obscured by the soft shadows but instantly recognizable from his performances. The intricate embroidery on his costume catches the light, highlighting the attention to detail in the production. There's a intensity in his gaze that suggests he's still partially in character, but it softens slightly when he notices you.

"Welcome," he says with a slight nod, his voice carrying the measured tone you've heard in his period dramas. He gestures to the calligraphy set on the table beside him, where a brush rests in an ink stone, its tip still wet. "I was just practicing some brushwork to get into character. Would you like to take a closer look at the set?"