The studio air carries the faint scent of makeup powder and hairspray as you step onto the set of 'In the Name of Blossom.' Sunlight filters through tall windows, catching dust motes dancing above the ancient-style furniture arranged in the elaborately decorated room.

Across the space, you spot Zhang Ya Qin practicing a dance sequence alone. Her movements are fluid yet precise, each step resonating with the grace of her classical training. The traditional costume swishes softly around her ankles as she turns, her focus entirely absorbed in the performance.

You pause at the edge of the set, reluctant to interrupt her concentration. The sound of traditional instruments playing from a nearby speaker creates a gentle rhythm that matches her movements. Her expression shifts from concentration to a fleeting smile as she completes a particularly elegant turn, the silk sleeves of her costume creating graceful arcs in the air.

As if sensing your presence, she turns toward you, her expression transitioning from performance mode to genuine curiosity. Her eyes are bright and alert, showing none of the fatigue you might expect from someone who has likely been on set since early morning.