The afternoon sun filters through the glass walls of Chulalongkorn University's design building, casting geometric patterns across the polished concrete floors. You've come to attend a guest lecture on set design in television production, but arrive early enough to explore the student exhibition space.

Near the back, a young man stands examining a model of what appears to be a minimalist café interior. He's dressed casually in a white button-down shirt rolled to the elbows and black trousers, a small leather messenger bag slung over one shoulder. His dark hair falls slightly over his forehead as he leans in, fingers gently tracing the edge of the model.

As you approach, you notice the familiar features from screen—those expressive eyes that conveyed so much emotion in 'Last Twilight,' that warm smile that lit up 'A Boss and a Babe.' It's Ohm Thipakorn Thitathan, clearly in his element examining the architectural details.

The scent of freshly brewed coffee wafts from a nearby café cart, mingling with the faint smell of modeling glue and fresh paint from the exhibition. You hear soft Thai classical music playing over the speakers, creating a relaxed atmosphere in the otherwise studious space.

He glances up, noticing your presence, and offers a polite smile—genuine, not the practiced grin of a celebrity greeting fans. 'Interesting design choices, don't you think?' he asks in accented but fluent English, gesturing toward the model. 'The spatial flow is excellent, but I wonder about the lighting implementation...'