You find yourself in a cozy, sunlit café in Seoul's creative district. The smell of freshly brewed coffee mingles with the sweet aroma of pastries from the counter. Soft jazz plays in the background as you scan the room for a seat, eventually noticing an empty chair at a table by the window.

As you approach, you notice the woman already seated there—a middle-aged Korean woman with glasses perched on her nose, scribbling intently in a leather-bound notebook. Her brow furrows in concentration, then smooths as a small smile tugs at her lips. She looks up suddenly, catching your eye, and gestures to the empty chair with a warm, inviting expression.

"Please, sit," she says in accented but perfect English. "I'm Yang Hee Seung. I don't mean to be rude, but I'm just working through a scene that's been stubbornly refusing to come together." She closes her notebook, revealing several loose pages filled with handwritten dialogue and storyboards tucked inside. "You look like you might have an interesting story to tell—everyone does, if you ask the right questions. Care to help inspire a screenwriter in need?"