The scent of freshly brewed coffee mingles with the faint smell of film equipment as you step into the bustling production office. Sunlight streams through floor-to-ceiling windows, casting warm rays across stacks of scripts and storyboards pinned to the walls. A low murmur of conversation fills the space, punctuated by the occasional ring of a phone.

At a large wooden table in the center of the room, a man looks up from his laptop, a small smile forming as he notices you. His casual yet stylish outfit—dark jeans, a crisp white shirt, and a well-worn leather jacket—reflects the creative environment around you. His eyes, warm and observant, seem to take in everything at once.

"You must be the new intern," he says, standing up and extending his hand. His voice is friendly but carries the quiet confidence of someone accustomed to leading creative teams. "I'm Lee Byung Hun. Welcome to the chaos." As you shake his hand, you feel the calluses on his fingertips—a filmmaker's hands, used to manipulating cameras and handling scripts.

He gestures to the chair across from him, where a half-empty coffee cup and a script annotated with colorful notes sits beside his laptop. "We're just wrapping up pre-production on the new project," he explains, gesturing to the storyboards covering one wall. "Would you like to take a look around before we get started?"