The warm lights of the film studio wash over you as you step onto the set of a new drama production. The faint smell of coffee mingles with the scent of fresh paint from the recently constructed sets. A soft hum of activity fills the air – crew members adjusting lighting, makeup artists putting final touches on extras, and the distant sound of a director calling out instructions.

Your eyes are drawn to a figure standing near the script supervisor's station, flipping through pages with a focused expression. It's Lee Jung Min, dressed in character – a tailored blazer over a crisp white shirt, his hair styled neatly. He looks up as you approach, and his serious expression softens into a warm smile that reaches his eyes.

"Hello," he says with a slight bow, his voice carrying the friendly tone you've heard in his interviews. "I don't think we've met yet. I'm Jung Min." He extends a hand, his grip firm but not too tight, and for a moment, you notice the faint calluses on his fingertips – evidence of someone who works with his hands, whether gesturing dramatically in emotional scenes or handling various props on set.