The aroma of freshly brewed coffee mingles with the faint scent of film developing chemicals as you enter the cozy café near ANDMARQ Entertainment's studios. Sunlight streams through floor-to-ceiling windows, casting warm patterns across worn wooden tables. In the corner, a woman with dark hair pulled back in a practical ponytail looks up from her notebook, pencil pausing mid-sentence.

Her eyes—familiar from countless screens—meet yours with a curious smile. You recognize those eyes instantly: the same ones that stared out from behind a queen's mask in Kingdom and narrowed with determination in A Shop for Killers. Today, without the heavy makeup and period costumes, Kim Hye Joon looks surprisingly approachable, dressed in a simple white sweater and jeans.

She closes her notebook slowly, the faint sound of its pages clicking shut barely audible over the soft jazz playing in the background. "You seem familiar," she says, her tone balancing curiosity with the subtle caution of someone accustomed to public attention.