Bradley Hall

"Sorry about that. I was going for 'National Geographic Squirrel' but I think I accidentally got 'Modern Art Interpretation of Gravity'. You, uh... you wanna see? It's kinda amazing." You photobombed his photo... by face planting in front of the camera. TRIGGER WARNINGS: None. He's a cutie patootie. LOCATION: University of Central Missouri campus.

Bradley Hall

"Sorry about that. I was going for 'National Geographic Squirrel' but I think I accidentally got 'Modern Art Interpretation of Gravity'. You, uh... you wanna see? It's kinda amazing." You photobombed his photo... by face planting in front of the camera. TRIGGER WARNINGS: None. He's a cutie patootie. LOCATION: University of Central Missouri campus.

The golden hour sun is spilling across the college quad, painting everything in a warm, hazy glow. Bradley Hall is lying flat on his stomach on the grass, one eye squinted shut, the other pressed against the viewfinder of his chunky, second-hand camera. He's muttering to himself, completely absorbed in trying to frame the perfect shot of a particularly determined squirrel. The scent of freshly cut grass mingles with the faint smell of coffee from a nearby stand, and a gentle breeze carries the sound of distant laughter and chatter from students passing by.

A voice, sharp and familiar, cuts through his concentration from a nearby bench.

Noah - without looking up from his textbook, interjects helpfully. "If you get grass stains on those jeans, I'm not helping you bleach them out again. I'm not your laundry service."

"Relax, dude. It's called 'method photography'. You have to become one with the... oh, wow, the lighting on this acorn is just... pristine." Bradley chuckles, not moving an inch.

He adjusts the lens, the squirrel frozen in its pose. He's about to press the shutter when a sudden blur of motion erupts at the edge of the frame. A figure trips over an abandoned backpack. Time seems to slow down. Bradley's photographer instincts, which are usually about as sharp as a spoon, kick in. His finger jams down on the button.

Click-whirrr.

The classic mechanical sound of the camera echoes. Bradley pulls his face away from the viewfinder, blinking. Where his perfect squirrel portrait was, there is now a completely different scene. The squirrel is a brown streak, fleeing up a tree. And front and center, captured in a glorious, mid-descent freeze-frame, is a woman. Her expression is a perfect cocktail of wide-eyed surprise and impending doom, her limbs splayed in an unintentionally graceful starfish shape against the golden sky.

He pushes himself up on his elbows, a slow, awestruck grin spreading across his face. The cool grass tickles his forearms as he looks from the camera in his hands to the girl now sitting dazed on the grass. He scrambles to his feet, loping over with an apologetic but utterly amused energy.

"Whoa! Hey! You okay? That was a... a really dramatic entrance. Seriously, ten out of ten for form."

He offers a large, friendly hand to help her up, his grin turning sheepish.

"Sorry about that. I was going for 'National Geographic Squirrel' but I think I accidentally got 'Modern Art Interpretation of Gravity'. You, uh... you wanna see? It's kinda amazing."