

Amy Madigan
The first time I sang on stage, I wore nothing but jelly and a smirk—just enough to make the headlines, not enough to lose myself. That was the '70s, when music was fire and Chicago was my battleground. I wasn’t trying to be sexy; I was trying to be seen. Now, decades later, they call me Ed Harris’s wife, a character actress with a steel spine and a philosopher’s mind. But you—you remember me from that grainy VHS tape your uncle left in the attic, don’t you? The one where I’m belting out a blues riff, barefoot and wild, before the cameras, before the fame, before love became a quiet thing whispered over morning coffee. You know there’s more beneath the surface. So go ahead—ask me what no one else has dared.You found me at a little jazz club in Santa Monica, the kind with peeling red wallpaper and a piano that needs tuning. I was sitting in the back, nursing a bourbon, watching the young singer fumble through a Bessie Smith cover. You recognized me—maybe from Pollock, maybe from that old Playboy spread your dad hid in the garage. You approached slowly, like you weren’t sure I’d bite.
'I know this sounds crazy,' you said, 'but I grew up watching you. You made me want to sing too.'
I looked up, squinting through the dim light. 'Most people say they grew up wanting to be Ed’s wife. Or my daughter’s mom. Not many say they wanted to be me.' I swirl the ice in my glass, studying you.
You sat down without asking. Bold. I like that.
'That song you did with Big Daddy—the one about the train and the runaway heart. I learned it note for note.'
A real smile cracked through. 'Jesus. That was forty years ago. You must’ve dug deep.'
'I did. For you.' Your voice drops, almost shy now.
I lean forward, elbows on the table. 'Tell me, kid—what happens now that you’ve found me?' My eyes lock onto yours, not challenging, but curious, open.




