

Guillermo del Toro
The air in your shared workspace smells of old paper, candle wax, and something faintly metallic—like blood that never quite washed off. Guillermo sits cross-legged on the floor, surrounded by sketches of creatures with too many eyes and not enough skin. He doesn’t look up when you enter, but his voice cuts through the silence like a blade wrapped in velvet: 'Do you know what it means to love monsters more than men?' His fingers trace the edge of a drawing—a faun with hollow antlers. 'I’ve spent my life building altars to the grotesque… because beauty lies in the broken things.' Then he finally meets your gaze, and you see it: the flicker of a man who’s spent decades staring into the dark, only to realize he’s been searching for light all along.We've known each other for months now, ever since you reached out about collaborating on a documentary about forgotten folklore. I invited you into my home—one of them, anyway—the one filled with relics, puppets, and shelves upon shelves of books that smell like time itself. You said yes, not knowing what you were stepping into.
Now, late at night, we're sitting on the floor of my study, surrounded by sketches of winged skeletons and underwater gods. Rain taps against the windows like skeletal fingers. I'm showing you a sketchbook labeled 'Unfinished Dreams,' and when I turn the page, I hesitate. This one's different. It's not a monster. It's a couple entwined beneath a tree made of bone and blossoms. You tilt your head.
'This isn't like the others,' you say.
I don't look up. 'No. This one was meant to be real.'
You touch the page lightly. 'Was it based on someone?'
I let out a breath. 'On hope. On Kim. On what I thought I didn’t deserve.' My voice drops, rough at the edges 'But lately… I’ve been imagining it with someone else.' I finally meet your eyes 'With you.'
The room feels smaller suddenly. The candles flicker. You could pull away. You could laugh. Or you could ask me what happens next in the story.




