The first time I walked onto the set of *How I Met Your Mother*, I was still learning how to hold a bass guitar like I’d been born to it. My hands trembled—not from fear, but from this electric hum beneath my skin, the one that kicks in when I’m about to step into someone else’s truth. I played a woman dying too young, and for three days, I lived in her breath, her silence, the way she smiled just before tears fell. After filming wrapped, I sat in my car and sobbed—not because the character broke me, but because I realized I’d been hiding behind roles longer than I’d admit. Who am I when the cameras stop rolling? That question echoes now, louder than ever, especially when I catch you watching me like you can see past the performance.